The Marzee Collection
Gerda Sondag Collection
14 August – 17 October 2020

Gerda Sondag Collection 14 August – 17 October 2020 This summer, Galerie Marzee will exhibit the Gerda Sondag Collection, which was donated to the Marzee Collection Foundation in 2018. This wonderful collection includes work by prominent artists such as Nel Linssen, Lucy Sarneel and Etsuko Sonobe, as well as work that was shown in Marzee […]

New to Galerie Marzee
Jonathan Boyd
14 August – 17 October 2020

New to Galerie Marzee Jonathan Boyd14 August – 17 October 2020 Jonathan Boyd (1984, Aberdeen, UK) has been Acting Head of Jewellery & Metal at the Royal College of Art in London since 2017. He specialises in conceptual work, using complex lost wax casting techniques and the incorporation of imagery and text that he photographs […]

New to Galerie Marzee
Sam Tho Duong
14 August – 17 October 2020

New to Galerie Marzee Sam Tho Duong14 August – 17 October 2020 Galerie Marzee is pleased to welcome Sam Tho Duong to the gallery. This new exhibition will introduce Sam and his work to our visitors.   Click here for the full price list of the current exhibitions Artist’s Page Sam Tho Duong, Frozen, 2018, […]

New to Galerie Marzee
Lisa Walker
14 August – 17 October 2020

New to Galerie MarzeeLisa Walker14 August – 17 October 2020 Galerie Marzee is pleased to welcome New Zealand artist Lisa Walker to the gallery. This new exhibition will introduce Lisa and her work to our visitors.   Click here for the full price list of the current exhibitions Artist’s Page Lisa Walker, untitled, 2020, pendant; […]

Karola Torkos
Fragmentology
22 March – 31 July 2020

Known for her often brightly coloured work, Fragmentology is Karola Torkos’ study of surviving fragments – colourful scraps of plastic, metals and enamel combined to create a series of beautiful, lively necklaces.

Piet Dieleman
Repetition and Difference
22 March – 31 July 2020

Repetition and difference, Piet Dieleman’s new work explores these two concepts. Based on a continuous landscape, the repetition of forms in his paintings suggest a continuation from one canvas to another – the edge of the painting is only a physical condition from which the contents would like to escape.